![]() ![]() (There are a few, relatively rare exceptions to this rule, which we’ll cover below.) It uses the same color engine, so you can get exactly the same results. Of course, you should always consult the printer to determine how your job should be submitted - never assume!īut here’s the truth: InDesign can convert your images to CMYK as well as Photoshop can. You’ll still encounter print providers who insist on the submission of CMYK content, partly because “that’s how we’ve always done it” (and partly because some very small shops might still be using antiquated equipment). Thus it was that, in all the land, a decree went out, ordering that Thou Shalt Convert Thy RGB Images To CMYK Before Sending Thy Job To The Printer.įast forward to Modern times: Current print workflows perform excellent conversions of RGB to CMYK, and some printing processes - such as digital presses and large-format inkjet output - actually provide better and more vibrant output when fed with RGB content. ![]() True, in Ye Olden Days, the RIPs (Raster Image Processors) used by commercial printers to translate PostScript from graphics programs did a lousy job of converting RGB to CMYK, resulting in muddy, inaccurate color rendering. And we feel a bit like someone walking into a jail announcing, “Hey, the doors aren’t locked! You don’t have to stay in here!” Some people immediately jump up and taste freedom some wake up to the new realization slowly and others refuse to believe it, knowing that staying behind bars is more comfortable than facing the unknown. And in fact, you probably should not convert them to CMYK (at least not in Photoshop).Īs we have traveled around the world giving presentations about InDesign, Photoshop, and publishing, we’ve been constantly amazed at the number of people who are still using the old, 20th-century “convert to CMYK” workflow. So, even though we’ve been saying this for 15 years, maybe you haven’t heard it… so we’re going to say it one more time, with emotion: But you know what? This is the 21st century now and it’s time to wake up, smell the coffee, and change your ways for the better. And yes, we know that you’ve been doing this since 1989 with PageMaker 2. The Max Pressure Location slider lets you set the location where brush stroke is the thickest or thinnest as if drawing with a graphics tablet.Yes, we know you probably learned to convert images to CMYK in Photoshop before placing them in InDesign. Simulate Pressure: You can use Simulate Pressure to take into account the brush pressure settings. Note that some of the stylus-related settings, like the ones in the Stroke or Dynamics categories, cannot be edited. You can customize the brush stroke using the basic or advanced brush settings, just like you would with a regular brush. Press Option ⌥ + Command ⌘ + B on your keyboard.Choose Format > Stroke with Brush from the Format menu at the top of your screen.Once you apply the stroke, you'll see its live preview and how it changes as you switch between different brushes or make adjustments to the specific brush settings. Using the Stroke with Brush feature, you can automatically convert the outline of any image layer, path, shape or selection into a brush stroke. ![]()
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